What Remains by Alarik Rantala
When trying to look for commonalities between species, only one factor unites them all: the inevitability of death.
In a time where it鈥檚 easy to feel distant from nature, it became important for me to use this project as an opportunity to gain connection to the more-than human world. A search for something that unites beings of different kinds.
We accumulate marks, scars and patterns on our bodies. Skin is a canvas for time 鈥 holding stories of growth, decay and change. This cycle of transformation is a shared language among us and nature. By intuition, I began collecting images of human and tree skin, each telling a story of the passage of time.
The final artifacts are abstract, three-dimensional collages where human and non-human skin blend together, erasing the boundaries between them. I used a technique that involves printing directly onto plywood, allowing the natural wood grain to show through. I then combined these printed pieces with raw plywood, highlighting the similarities between the patterns and marks on human skin and the textures of wood.
Materials: Photography, plywood
When trying to look for commonalities between species, only one factor unites them all: the inevitability of death.
Species, gender, categorisations to make our world easier to deal with. During my work with understanding my own gender identity, I completely lost my grasp on what femininity and masculinity mean. What is it to feel feminine or masculine? What makes an object seem masculine or feminine?
Humanity is inherently chaotic, where order and disorder constantly intertwine, one cannot exist without the other. Through photographic experimentation and overlapping images, I capture everyday chaos from our 鈥渘ew nature鈥, the human-made ecosystem of the city.