91ÇàÇà²Ý

Contemporary Design

In Search of Serenity by Hannakaisa Pekkala

The hand-sewed surfaces explore the connection between making, crafts and creativity. Focusing on simple crafts can offer calmness, a way to be
grounded and present through repetitive work led by intuition and freedom. The outcome is a dialogue between the fragile, subtle material and the working hands.
artefacts made of hay

The process started from searching of the natural materials. The idea was to work with something that does not have a specific craft involved - no right or wrong way to work with. The explorations started with reed, which tends to crack when it’s dry. After that explorations were continued with hay, which was stiff yet a fragile material at the same time: sewing it worked well.

The making process was free and led by intuition to avoid creative blocks: starting by sewing small tassels just for fun. The hand-sewing was slow and careful, taking time to focus solely on the material. After there was enough material on the table, the tassels were grouped together to form different surface structures.

Inspiration for each piece came from the small differences within the material: the shiny ochre yellow, the natural black and red colors which came from weather conditions, and the little knots on the stems. The final outcomes highlight the natural properties of the material. Together the explorations form a collage of shapes and textures.

close-up of artefacts made of hay

Materials: Hay, threads

Photographs Hannakaisa Pekkala

More Personal Exploration projects:

photo of installation made of ceramic circles and a ball in red light

I Have Always Been Here by Taísa Helena

‘I have always been here’ is a ceramic and audio installation where women are invited to listen and connect to Mother Earth. The designer embodies the voice of the cosmos, summoning the sun and moon, the elements of nature and the cycle of life in one novel ancient ritual. The ceremony is set around ceramic rings centered by one sphere, that broadcasts the voice of the Earth.


Contemporary Design
clay objects on a table with a lamp

Clay for the Process by Katrīna Šatalova

In my project I put focus on the process of interaction with material. I work without sketches or expectations of the final outcome. My intention is to experience a full cycle of clay, so I prepare it myself straight from the ground. The practice reflects anthropologist’s Tim Ingold’s theory on thinking through making.

Contemporary Design
an information banner about identity and being grounded

Grounded by Turkka Taipale

How to ground yourself? Instead of pushing forward, what if we would take a look back for a while? Could it help us to go forward? By looking at your personal journey it’s easier to see the growth. Rather than comparing yourself to others, take a look at the steps you have already taken. This is a tool to map yourself, to visualise your journey, to give more credit to yourself, to watch from the right perspective, to put things in perfect scale. To be grounded.


Contemporary Design
  • Updated:
  • Published:
Share
URL copied!